“Summer of Film #20 of 100”:http://www.devanshanu.com/things/2005/06/12/2005-summer-of-film/
I know, I know. I’m cheating. This is not a movie and it has no place among movie reviews, much less among the revered 100 for the summer of film. But consider this- I spent 13 hours watching what is better than 99% of all films and I believe two things because of that. One, I deserve credit for the time I spent. Two, for those of you hiding under a rock- yes, you under the rock there- who have never been recommended The Sopranos yet; this is for you. A recommendation. Continue reading
summeroffilm
Blue Velvet (1986)
“Summer of Film #19 of 100”:http://www.devanshanu.com/things/2005/06/12/2005-summer-of-film/
There is a sensibility that made-for-TV movies and the Hardy Boys novels share. There is a sensibility that the best of the Hardy Boys novels share with pulp Hitchcock. And there is a sensibility that Hitchcock shares with The Twilight Zone. If you’ve seen Twin Peaks, you probably have an idea of what I’m talking about- though maybe not entirely. Continue reading
Happy Gilmore (1996)
“Summer of Film #18 of 100”:http://www.devanshanu.com/things/2005/06/12/2005-summer-of-film/
I almost feel like apologizing and explaining myself for adding this film to the list- especially after “Monsieur Ibrahim”:http://www.devanshanu.com/things/2005/06/28/monsieur-ibrahim-2003/ and before “Blue Velvet”:http://www.devanshanu.com/things/2005/06/28/blue-velvet-1986/ , but I won’t. Continue reading
Monsieur Ibrahim (2003)
“Summer of Film #17 of 100”:http://www.devanshanu.com/things/2005/06/12/2005-summer-of-film/
Paris in the ’60s. I wasn’t born yet in the ’60s and so I surely wasn’t in Paris then. Neither do I know anyone who was. And yet, I know exactly how it was. The Patricia Franchini “wore a yellow t-shirt”:http://www.imdb.com/title/tt0053472/ as she sold the New York Herald Tribune. In a small apartment, another American, Paul was having his “last tango in Paris”:http://www.devanshanu.com/things/2004/07/11/the-last-tango-in-paris-1972/. In another apartment “three teenagers thought their ideas of truth, beauty, sex, love and cinema could change the world”:http://www.devanshanu.com/things/2004/04/25/the-dreamers-2004/ and maybe they did. Further down the street a lady named “Irma La Douce”:http://www.imdb.com/title/tt0057187/ has an ex-cop in love with her, but that seems to be going nowhere.
Probably on the same street, Rue Bleue, lives a boy named Moses, Momo to his friends. He doesn’t live alone, but he might as well, since his mother left when he was young and his father comes home late in the evening only to complain about the food Momo has cooked. But none of this seems to bother him much; probably because he is sixteen and the prostitutes who line up across the street and the pretty girl next door interest him more. Continue reading
Boogie Nights (1997)
“Summer of Film #16 of 100”:http://www.devanshanu.com/things/2005/06/12/2005-summer-of-film/
Paul Thomas Anderson is a genius and Boogie Nights is his the only ticket to greatness he needs. That he followed it up with two of my favorite films of the last decade- Magnolia and Punch-Drunk Love is only icing on the cake.
Boogie Nights is the Scorsese-movie, the Godfather, the Goodfellas, the Casino– the one epic that defines a time, place and a parallel society forever. Scorsese did it for old Vegas in The Casino; Copolla did it for the mafia for eternity with The Godfather and now PTA has done it for the 70s porn industry in one sweeping gesture. Continue reading
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