On Miyazaki: The Films That Make Themselves

Written as a Film Note for Brattle Theatre in Cambridge, Massachusetts.

Howl's Moving Castle“I’m not a storyteller, I’m a man who draws pictures,” says Hayao Miyazaki the super-director of some of the highest grossing Japanese films of all time, such as My Neighbor Totoro, Princess Mononoke, Spirited Away and most recently, Howl’s Moving Castle.

In Hollywood, children’s films in general and animated ones in particular follow the classical storytelling mold. The protagonist is oblivious, the protagonist faces difficulty and the protagonist overcomes difficulty. While the world that is built around these stories may be extremely detailed and enchanting- such as the talking furniture of Beauty and the Beast or the fun forest friends of Bambi– the story arc of the protagonist is central to the film and the tapestry is for show. Continue reading

On Shane Black and Kiss Kiss Bang Bang

Written as a Film Note for Brattle Theatre in Cambridge, Massachusetts.

Shane Black, writer-director of Kiss Kiss Bang Bang
Shane Black, the writer and director of Kiss Kiss Bang Bang, was the original Hollywood screenwriting fairy tale. At the age of 24, in 1985, he sold his first screenplay for a quarter of a million dollars and in the process invented a certain kind action film that defined Hollywood in the late 80s and early 90s.

That first film was Lethal Weapon. It transformed Mel Gibson from Mad Max to a true k faced a lot of resentment and backlash within the industry over the high price tag of that script combined with its critical and box office failure. At the same time, there was a perceived competition over becoming the “highest paid screenwriter in Hollywood” with writers such as Joe Eszterhas. Also, his talents as a writer were not very highly regarded among some of his peers since Black had stuck to writing action films for the most part of his career. Continue reading

15 Facts About Gore and “An Inconvenient Truth”

_An Inconvenient Truth_ is a fantastic film. I saw it this past weekend and would encourage everyone to see it- take friends, families and especially that special skeptic you know. To quote “Roger Ebert”:http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20060601/REVIEWS/60517002/1023

In 39 years, I have never written these words in a movie review, but here they are: You owe it to yourself to see this film. If you do not, and you have grandchildren, you should explain to them why you decided not to.

*Interesting Facts*
# It is based on a presentation Al Gore has been giving since 1989.
# Paramount Classics has committed 5% of their domestic theatrical gross for their film, _An Inconvenient Truth_, with a minimum guarantee of $500,000 to be donated to a new bipartisan climate effort, *Alliance for Climate Protection*.
# The presentation was switched from easels and charts to Apple’s Keynote and a Powerbook after Gore’s wife Tipper said, “Well, Mr. Information Superhighway, why don’t you put your slides on your computer?”.
# The film was produced and financed by eBay billionaire and philanthropist Jeff Skoll.
# Al Gore sits on the board of Apple.
# Jeff Skoll’s Participant Productions funds films with a social message _and_ commercial potential. Past hits: Syriana, North Country and Murderball.
# The director of _An Inconvenient Truth_, Davis Guggenheim, is married to Elizabeth Shue (_Back to the Future_ sequels, _Karate Kid_, _Adventures in Babysitting_, _City of Angels_).
# Gore’s 1992 book _Earth in the Balance_ became the first book written by a sitting US senator to make the New York Times bestseller list since John F. Kennedy’s _Profiles in Courage_.
# The film barely mentions the current president or the party in power.
# On Gore, Bob Kahn and Vint Cerf said _”…as the two people who designed the basic architecture and the core protocols that make the Internet work, we would like to acknowledge VP Gore’s contributions as a Congressman, Senator and as Vice President. No other elected official, to our knowledge, has made a greater contribution over a longer period of time.”_
# Michael Shermer, founder of the Skeptics Society and regular writer for Scientific American, recently “admitted in an article for Sci Am”:http://www.sciam.com/article.cfm?chanID=sa006&articleID=000B557A-71ED-146C-ADB783414B7F0000&colID=13 that Al Gore’s presentation, among other things, turned him from a global warming skeptic in to someone who knows it is true.
# Gore, along with David Blood, run an investment company called Generation Investment Management that makes investments based on long-term economic, environmental, social and geopolitical challenges. The duo’s names together form “Blood and Gore”.
# Gore is also Chairman of “Current TV, a national youth television channel”:http://www.current.tv/ that has ties with Google.
# In response to the film’s publicity, the Competitive Enterprise Institute (which accepts donations from ExxonMobil, Amoco and other honorable oil companies) released two advertisements that “mischaracterize scientific research”:http://www.factcheck.org/article395.html – one of the ads claims that the glaciers of Greenland are actually thickening. Partially true, some parts of Greenland are thickening- but that’s like saying that one end of the Titanic went up as the other sank. Other parts of Greenland are clearly melting.
# This past week, Gore has claimed that “he has no presidential aspirations”:http://msnbc.msn.com/id/11442697 but only time will tell.

Kelly, Astaire and Effects in Dance

Written as a Film Note for Brattle Theatre in Cambridge, Massachusetts.
Fred Astaire and Gene Kelly
There is an old Hollywood story that goes something like this. Only three years and six movies into his acting career, Gene Kelly had a novel idea for his next film, 1945’s Anchor’s Aweigh. He wanted to dance with an animated character and his first choice, unsurprisingly, was Mickey Mouse. Kelly and his assistant Stanely Donen brought it before Walt Disney. Walt impressed and encouraging, but Mickey Mouse would never work in an MGM film.

Around the same time, two young men, who arrived at MGM around the same time as Kelly, named William Hanna and Joseph Barbera, had created a comic cartoon cat and mouse duo named Tom and Jerry. In 1944, when Kelly was looking for a dancing partner, the Tom and Jerry series was coming off back to back Academy Award wins in the Animated Short Film category. When Walt turned Kelly down, the other mouse became the obvious choice. Gene Kelly danced with Jerry Mouse in 1945’s Anchor’s Aweigh and made cinematic history as the first dance with an animated character. The animation was a painstaking process, and to his credit, it is said that Disney’s got MGM to take the risk on the sequence. Everything down to Jerry’s dancing reflection was perfected. It proved to be a good career move for all involved. Anchors Aweigh garnered five Oscar nominations. Tom and Jerry went on to win a total of seven. Continue reading